Software developer and designer by day. Fiction reader by night. Somewhere in between is where I live.
Say hi!I'm a developer who builds projects — for clients, for fun, and for the challenge of it. I'm always learning — mostly by shipping things and figuring it out as I go.
Here are some technologies I have been working with:
In my free time, you'll find me in a corner reading books, sketching a masterpiece or just sitting with my thoughts.
Autonomous AI pentesting agent that probes web applications for security vulnerabilities and generates severity-scored forensic reports — governed in real time by the ArmorIQ SDK for intent drift detection.
A modern music streaming app reimagined in the design language of the mid-2000s web. One React engine — real search, playback, playlists, and an AI DJ — wrapped in three completely different retro skins you can switch between live.
Personal portfolio built with React and Framer Motion — features scroll-driven animations, a scramble text effect, and a dark editorial aesthetic.
High-performance web platform for a premium aluminium & uPVC solutions business — rich animations, category-filtered galleries, and direct WhatsApp enquiries.
Full-stack e-commerce platform for a thrift store — product listings, cart, Razorpay payments, Cloudinary image management, and automated email notifications.
An autonomous AI agent for Windows that automates complex tasks through natural language using voice interaction, multi-step reasoning, and an integrated HUD dashboard.
A tiny open-source tool that scans your Instagram DMs and roasts your chat game with brutal honesty.
When no one's watching — who are you?
Pattern recognition, but slower
I've been playing the Sicilian long enough to blame it for most of my losses. Hovering around 1835 blitz on Lichess — chess scratches the same itch as debugging: find the pattern, calculate the line, accept the consequences.
Iron, gloves, and the occasional takedown
A 160 kg deadlift at 78 kg bodyweight, some strictly-amateur boxing, and wrestling purely for the fun of it. The gym is the one place where the overthinking stops and the reps are the only thing that counts.
Sketching — graphite over pixels
Charcoal and graphite over pixels. I sketch whatever sits still long enough — armored knights, veiled eyes, strangers on trains. Happily amateur, and planning to stay that way; it's the one craft I refuse to optimize.
The reading list keeps growing
The list grows faster than I can finish it — Norwegian Wood, White Nights, The Molecule of More, and whatever Dorian Gray says about staring at side projects too long. Fiction for the feelings, non-fiction for the systems.
Pattern recognition, but slower
I've been playing the Sicilian long enough to blame it for most of my losses. Hovering around 1835 blitz on Lichess — chess scratches the same itch as debugging: find the pattern, calculate the line, accept the consequences.
Iron, gloves, and the occasional takedown
A 160 kg deadlift at 78 kg bodyweight, some strictly-amateur boxing, and wrestling purely for the fun of it. The gym is the one place where the overthinking stops and the reps are the only thing that counts.
Sketching — graphite over pixels
Charcoal and graphite over pixels. I sketch whatever sits still long enough — armored knights, veiled eyes, strangers on trains. Happily amateur, and planning to stay that way; it's the one craft I refuse to optimize.
The reading list keeps growing
The list grows faster than I can finish it — Norwegian Wood, White Nights, The Molecule of More, and whatever Dorian Gray says about staring at side projects too long. Fiction for the feelings, non-fiction for the systems.
Pattern recognition, but slower
I've been playing the Sicilian long enough to blame it for most of my losses. Hovering around 1835 blitz on Lichess — chess scratches the same itch as debugging: find the pattern, calculate the line, accept the consequences.
Iron, gloves, and the occasional takedown
A 160 kg deadlift at 78 kg bodyweight, some strictly-amateur boxing, and wrestling purely for the fun of it. The gym is the one place where the overthinking stops and the reps are the only thing that counts.
Sketching — graphite over pixels
Charcoal and graphite over pixels. I sketch whatever sits still long enough — armored knights, veiled eyes, strangers on trains. Happily amateur, and planning to stay that way; it's the one craft I refuse to optimize.
The reading list keeps growing
The list grows faster than I can finish it — Norwegian Wood, White Nights, The Molecule of More, and whatever Dorian Gray says about staring at side projects too long. Fiction for the feelings, non-fiction for the systems.